Today 40 years ago, „Still of the Night“ released US theaters. Sandwiched between two of Meryl Streep’s greatest performances in the early 1980s, „Still of the Night“ is an often-forgotten Hitchcock hommage that not even its star herself remembers fondly. Helmed by Robert Benton, who directed Streep to her first Academy Award, it gave her probably the most thankless part of her career – the mysterious blonde.

In 1981, Meryl Streep had reached a first peak in her fairly young career. She was proclaimed „Star of the ‚80s“ by Newsweek and „Magic Meryl“ by Time Magazine a year afer winning her first Academy Award for „Kramer vs. Kramer“, her second consecutive nomination after „The Deer Hunter“. Her first leading role in „The French Lieutenant’s Woman“ won her a third nomintion in three years, as well as her second Golden Globe and a BAFTA from the British Academy. „Sophie’s Choice“ was on the horizon for a theatrical release later that year and she was already working with Mike Nichols on „Silkwood“ in Texas. Meanwhile, Benton was looking for a follow-up project to „Kramer“. He wrote a script called „Stab“ back in 1975, but left it in the drawers to first direct „The Late Show“, and then wait some more to direct „Kramer“. „You find yourself in a trap if you do the thing that people expect you to,“ he told The New York Times for the release of „Still of the Night“. „It seemed to me that I should go about as far away from „Kramer“ as I could with my next film.“ He found the missing link in Meryl Streep to finally revive the story of a entangled by the mistress of his murdered patient – a mysterious, cool blonde, who may have killed her lover, and maybe others as well.

Streep accepted the role for a number of reasons – to work with Benton and cinematographer Néstor Almendros again, but also for having the chance to work in New York, where her young family was based. „I wanted to work with [Benton] again. It was shot in New York. I rolled out of bed to go to work. I was with my baby more than I had ever been. I didn’t have to work every day,” she told Gene Siskel in 1982. She also, once again, helpled Benton with the right dialogue for Brooke, as she did with Joanna Kramer, as Benton recalls, „’When she got back from doing ‘The French Lieutenant’s Woman,’ we began working together, one or two days a week, on the character. She made up a great deal of the background story, the part about her father.”

It’s been quite some time since our last magazine update. So, with many thanks to my friend Alvaro, here are five new magazine additions from as early as 1979’s spotlight for the New York Public Theater performance of “Taken in Marriage” to some great profiles from Brasil magazines. Have a look at the previews for a complete list. Enjoy reading.

On October 13, 2022, Meryl Streep accepted the Alumnae/i Association of Vassar College (AAVC) Distinguished Achievement Award. According to a lenghty article published on the Vassar website, her movie-star charisma was immediately evident, but when Streep addressed the 1,500 members of the Vassar community—including fellow members of the class of ’71 – the three-time Academy Award winner didn’t talk much about the movies. She chose instead to tell her audience about how Vassar had shaped her life, setting her on a path of social awareness and activism. “One value of a Vassar education is that it kind of dooms you to a life of awareness …”Streep said. “Once you know how to search out and credit the facts around certain problems, you are called on by your conscience to act on them. The Vassar conscience rings a bell in your head; it’s a call to action in your heart.” Pictures from the event have been added to the photo gallery – with credit to Vassar College / Karl Rabe, the complete article can be read over here.

Yesterday, George and Amal Clooney hosted the first-ever Albie Awards through their Clooney Foundation for Justice at the New York Public Library on Thursday. The Albie Awards are named after South African activist and former judge Albert “Albie” Sachs and honor “courageous defenders of justice who are at great risk for what they do.” Albie was given a lifetime achievement award during the ceremony, while other prizes went to Dr. Josephine Kulea of Kenya’s Samburu Girls Foundation who was handed the Justice for Women honour while Filipino journalist Maria Ressa was given the Justice For Journalists award. Among the star-studded guests in attendance were Meryl Streep with daughter Grace and son-in-law Mark Ronson. Pictures from the event have been added to the photo gallery. Edit: You can now also watch Meryl’s speech, honoring journalist Maria Ressa, below.

Yesterday, Meryl Streep joined film critic Leonard Maltin and guests including Robert Rodriguez and Luke Wilson in honoring Robert De Niro at the Harry Ransom Center’s “A Celebration of Film” in Austin, Texas. The Ransom Center marks its 65th anniversary by creating an endowment honoring De Niro, whose archive is housed at the Center and contains annotated screenplays, correspondence, production records and film stills. Pictures from yesterday’s celebration have been added to the photo gallery.

Public appearances have been rare this year. So it’s a nice surprise to see Meryl Streep and Sam Waterston celebrating the 125th anniversary of The Lakeville Journal at the Town Grove in Lakeville last Saturday, both serving as Honorary Co-Chairs. The Lakeville Journal Foundation has posted an array of pictures from the celebration to their webiste, which can be also found in the photo gallery. Check back for more public appearances pictures, as Meryl and Robert De Niro will attend the Ransom Center’s 65th Anniversary Gala later this evening.

According to Deadline, Meryl Streep and Nicole Kidman have renewed their support for The Writers Lab, which will return to its in-person format for script development in 2022, supporting women screenwriters over the age of 40. The Lab has re-doubled its efforts to amplify the voices of women writers, calling for greater inclusion of their stories in film and television, in response to growing threats to women’s rights, with genre scripts (particularly comedies) and historical stories about pioneering women being seen most commonly amongst its pool of submissions. This year’s Lab will focus on building the tools and strategies for talented writers to develop their projects and navigate the ever-shifting landscape of professional opportunities, with the 12 screenwriters selected to gather in Saugerties, NY in early November. The Writers Lab also today announced that its work is being recognized by AdvancingDiversity.org, a collective of more than 40 advertising and media companies and organizations, which last week unveiled its 2022 inductees into the Advancing Diversity Hall of Honors. “The Writers Lab is thrilled to be inducted into AdvancingDiversity.org’s Hall of Honors with these illustrious Honorees,” said co-founder Elizabeth Kaiden. “Advancing diversity is crucial to our mission of spotlighting an unexplored commodity: Cinematic stories that 50% of the population are clamoring to see.” Many thanks to Glenn for the heads-up.

Last April, Campus Activities announced that Meryl Streep will receive the Distinguished Achievement Award granted by the Alumnae/i Association of Vassar College (AAVC). However, on April 19, 2022, Vassar announced the postponement of the ceremony; Streep was unable to attend the event due to pneumonia. At the time, the College did not elaborate on the exact rescheduled date. According to Vassar’s Miscellany News, on Tuesday, Sept. 13, 2022, students who secured a lottery ticket for the event last semester received an email from the AAVC confirming that Streep would be coming to accept the award on Thursday, Oct. 13, 2022. The email communication offered these students the opportunity to reclaim their seats for the ceremony. President of Vassar College Elizabeth Bradley commented, “The award is presented to alums who have reached the highest level in their field, while using their position to better the human community and serve the wider goals of society. Meryl most certainly fits the bill. We are thrilled to welcome her to campus.” The College has yet to officially announce the rescheduled ceremony or provide specific details regarding the next ticket lottery.

I’m a little late on this one, but “Death Becomes Her” has celebrated its 30th anniversary back in July. It’s unbelievable that it’s three decades since the film’s release – and the legacy it has created ever since. I was going to write something in-depth for the anniversary until I remembered that I did just that two years ago for Streep in the ’90s. Make sure to have a look at it for more information on the filming process and the many scenes that were deleted and would have made it an altogether different film. I was also incredibly lucky to find an old segment from Entertainment Tonight, featuring cast and crew interviews that I have never seen before, as well as the Instagram page DeathBecomesHerForever, which features an abundance of behind-the-scenes stills from the film that I have also never seen before. The best way to celebrate “Death Becomes Her”, if you haven’t done this already, is to rewatch or stream it to see how it has aged (pun intended).

The University of Texas’ Harry Ransom Center on Monday announced that Meryl Streep will attend “A Celebration of Film,” the center’s fall event honoring actor Robert De Niro. Film critic and historian Leonard Maltin will also attend, acting as master of ceremonies. Taking place at the AT&T Hotel and Conference Center on September 24, “A Celebration of Film” will support preservation and access to historical film materials archived at HRC. De Niro’s archive, which is also housed at HRC, will be featured in a new exhibition examining his early years at the American Workshop, in acting instructor Stella Adler’s classes, and in plays and films that marked his initial successes and learning experiences. De Niro first donated his archive to the HRC in 2006, including annotated screenplays, correspondence, production records, film stills and behind-the-scenes photographs, posters and publicity materials, props, costumes, videotapes, and motion picture film. The gala supports the museum’s mission to preserve and provide access to historical film materials. In an effort to expand access to this unique celebration, the HRC will also hold its first-ever ticketed after party, immediately following the gala. For more information or to purchase tickets, visit hrc.utexas.edu/gala for the gala and hrc.utexas.edu/afterparty/ for the post-production afterparty.