Article courtesy Variety: Awards speculation is a given when two-time Oscar winner Meryl Streep is front and center of a prestige project, and with her tackling formidable British prime minister Margaret Thatcher, topping this movie’s potential kudos pyramid will likely be the celebrated thesp’s 17th Oscar nomination. If the movie scores as a portrait of parliamentary power and female resolve against a longstanding political boys’ club, look for supporting nods as well for previous nominee Jim Broadbent (“Iris”) as husband Denis, and possibly Anthony Head as Thatcher’s deputy prime minister Geoffrey Howe.

The hottest name outside of Streep could be U.K. scribe Abi Morgan (original screenplay), who is also getting attention from the Steve McQueen-directed awards hopeful “Shame,” which she co-penned. Director Phyllida Lloyd, meanwhile, is coming off the musical fluffball “Mamma Mia!” — the kind of Streep vehicle that doesn’t get nominations – so entering the directors’ circle will be an uphill battle unless the film is both a critical and box office hit, the way previously recognized U.K. biopics (and Academy fodder) “The Queen” and “The King’s Speech” were for Stephen Frears and Tom Hooper, respectively. On the tech side, “The Queen” costume design nominee Consalata Boyle is a factor, while the talented “Twilight” d.p. Elliot Davis could be on board for his first cinematography nomination.

On December 01, 2011, Simply Streep will launch with a new look, just in time to celebrate the theatrical release of “The Iron Lady” and Meryl’s (most possible) involvement in the 2012 awards season. Besides a classic new layout, all pages have been updated and worked on to provide information revised and up-to-date. And lots of additional features are planned. Speaking of which, I’m very interested in what you, the visitors of Simply Streep, would like to see here. Anything you’ve wished to see featured, anything’s missing. What should be added or changed. Please have a thought and share it with me, either in the comments section, or you can write me an email. Ideas, suggestions, criticism and thoughts are appreciated. Thanks!

And another new production still from “The Iron Lady” courtesy the New York Times’ Holiday Movies preview. Thanks to Ari for the heads-up!

Variety has posted an article on the current films vying for Oscar glory that are based on real events or real people, including, of course, “The Iron Lady”. In the case of some films this year, they know the subjects – and don’t like them. That’s a problem shared by “The Iron Lady,” helmer Phyllida Lloyd’s story of Margaret Thatcher starring Meryl Streep, and “J. Edgar,” Clint Eastwood’s film about longtime FBI honcho J. Edgar Hoover, starring Leonardo DiCaprio. Both have addressed the problem of long, politically charged lives by focusing on only a part of the story, and – in the case of “Iron Lady” – telling the tale from its subject’s p.o.v. “This story is not an objective biopic,” Lloyd says of her film. “The story is all told from Margaret Thatcher’s point of view and it’s an imagined story of how it might it have felt to be the first female leader in the western world.” She and screenwriter Abi Morgan tried to be extremely rigorous about the facts “but necessarily, there’s some compression of time and one or two places where in order to make the story clear we’ve taken something out. “On the whole,” Lloyd says, “we’re not nervous about being shot down in flames for our facts. We might be for the imagined part of the story.”

News courtesy Deadline. Although many places list her Margaret Thatcher biopic, The Iron Lady as a Dec 16th release, The Weinstein Company has decided it is best to keep us waiting a little longer so the official opening date for the movie that co-stars Jim Broadbent and is directed by Phyllida Lloyd is now December 30th in a limited platform release with a wider break to come in January to cash in on those expected Golden Globe and Oscar nominations. At research screenings Streep reportedly got the highest test numbers Harvey Weinstein has ever seen. Between Meryl and Michelle playing Margaret and Marilyn , Harvey is holding a hot hand in this year’s Best Actress contest. Streep has also been announced as one of this year’s recipients of the prestigious Kennedy Center Honors which will be awarded on December 4th and air on CBS on December 27th, the same day Oscar nominating ballots are mailed. Timing is everything.

Vanessa Redgrave, Best Supporting Actress Oscar winner for “Julia”, will be the recipient of an Academy of Motion Picture Arts and Sciences salute on Sunday, November 13, in London. “An Academy Salute to Vanessa Redgrave” is billed as the Academy’s “first-ever European tribute to an actor.” Two-time Oscar nominee David Hare (The Hours, The Reader), will host the event, which will also feature Meryl Streep, Eileen Atkins, Redgrave’s Coriolanus director and co-star Ralph Fiennes, this year’s Honorary Oscar recipient James Earl Jones, and Redgrave’s daughter Joely Richardson. Former Academy President Sid Ganis will introduce the evening.

The Los Angeles Times features “The Iron Lady” in its 2011 Holiday Movie Sneak, with a brand new production still from the film. This biopic presents a portrait of Margaret Thatcher, the only woman to be prime minister of the United Kingdom. With Meryl Streep, Jim Broadbent, Harry Lloyd and Alexandra Roach. Written by Abi Morgan. Directed by Phyllida Lloyd. Weinstein Co.

While it’s very quiet these days regarding Meryl and “The Iron Lady”, I went through my collection to update the site’s archives with additional pictures of Meryl’s early work. So have a look at production stills from her early theater work, including “Miss Julie”, “The Idiots Karamazov”, “Secret Service”, “The Taming of the Shrew” and “Alice in Concert” – as well as stills of Meryl’s 1980 appearance on the American series “Omnibus”. Enjoy!

While scans from the Vanity Fair article “Maggie Mia” have been posted already (see here), their website has now published the article as well, with a better quality version of the stunning promotional picture you’ll find below.

Is the world dying for a Margaret Thatcher biopic? Probably no more than it’s dying for Harold Wilson or John Major biopics, the dramatic possibilities of the Falklands War notwithstanding. But wait. A Margaret Thatcher biopic starring Meryl Streep? That’s P.M.-tainment! How she wrested the part from one Dame or another remains a mystery whose solution is known only to the actress and her director; we’re just thrilled she got her mitts on it. (And now America is finally even for Vivien Leigh playing Scarlett O’Hara.) Did we mention that we love Meryl Streep? Love-love-LOVE her? That there’s literally no other performer we’d rather see on-screen? Even Jessica Alba? Streep, over the last decade, has evolved from being the Greatest Actress of Her Generation to also being the slyest and wittiest and lightest afoot, ventilating the von Sydow heaviness of her younger roles with a bit of Astaire fresh air. Limited footage available from The Iron Lady suggests Streep’s Thatcher will fit somewhere between the poles of her Julia Child and her Miranda Priestly—a Tory leader who can debone Labour M.P.’s as if they were whole chickens, or stiffen wobbly American presidents with a witheringly arched eyebrow, and yet never lose sight of her inner Python housewife. The director is Phyllida Lloyd, who three years ago put Streep at the center of the 21st century’s finest movie musical: Mamma Mia! (Seriously. You can have Chicago and Dream Girls, though we’ll keep Hairspray too.) Along for the ride, Jim Broadbent will risk being ahistorically interesting as Denis Thatcher. Did we mention that we love Meryl Streep?

Meryl Streep, Kevin Kline, Suzan-Lori Parks and Oskar Eustis participated in a panel discussion held at the Ford Center on Wednesday, October 26. The panel was held in conjunction with an advance screening of the film “Joe Papp in Five Acts” by Tracie Holder and Karen Thorsen.

The screening was covered by the New York Times with a very interesting article on Meryl’s first audition for Papp’s Public Theater: Fresh out of the Yale School of Drama in 1975, Meryl Streep was 90 minutes late for her first audition with Joseph Papp, the artistic director of the Public Theater and the New York Shakespeare Festival in Central Park. Her train from New Haven had been delayed, and there were, of course, no cellphones or e-mail then. She arrived to find Papp sitting in one of his signature white suits, his impatience conveyed with a grimace and twitchy crossed-leg kicks. Yet a few minutes later, the potential of a great actress had transformed his mood, and soon he was offering a small role to Ms. Streep in what would be her Broadway debut: “Trelawny of the ‘Wells’” at the Vivian Beaumont Theater, in an era when acting work in New York was hard to find. The complete article can be read here.