Jane Fonda, who is currently tipped for an Emmy Nomination for her performance in “The Newsroom” recently sat down for a live Chat with GoldDerby to discuss her recent success, her career and, among other Topics, Meryl’s Screen debut in the 1977 Fonda film “Julia”. Although Meryl’s performance in “Julia” lasts for only a minute, it’s very interesting to see Fonda revisit this performance and the impact it had on her her. The full conversation can be here, starting around 24:40 minutes Many thans to Glenn for the heads-up. Miss Fonda’s quote is below:

It was a scene where Lillian Hellman had just opened on Broadway with her play, Little Foxes, and it was a magnificent triumph… Lillian is walking through Sardi’s and the camera panned with me… and then the camera stopped and I walk off camera, and Anne Marie walks on camera and stops – and that was Meryl. What she did in just a few seconds with her face and her hand… my hair stood on end. “I was in the process of casting Coming Home and I called my producing partner, Bruce Gilbert, and I said, ‘Listen, it’s a weird name, Meryl Streep, but I’m telling you not since Geraldine Page have I seen anything like this; try to get her in the part.’ “She wasn’t free, she was doing a Tennessee Williams play but I feel privileged to have been present at her screen debut… It was breathtaking.

It’s been some time since I have added flipbooks to Simply Streep, so here are two new ones to make up for the time. Thanks to Joan for bringing both ideas to my attention, the first became a favorite while creating it: Have a look at Meryl’s Connections with numerous cast members of the Long running “Law & Order”, I’m sure there’ll be some surprises for you. Just like the second new flipbook, about Meryl’s co-stars who once made it big on television. So, have fun flipping and guessing. If you have another good idea for a flipbook, let me know.

The Inquirer has recently interviewed Hilary Swank after wrapping her scenes for “The Homesman”, Tommy Lee Jones’ upcoming western starring himself, Swank and Meryl Streep. “It’s a dream come true—I’m in a movie with Meryl Streep,” Hilary Swank happily informed us of being cast with arguably the greatest living actress, in “The Homesman.” Then, Hilary added, “But I don’t have one scene with Meryl! I thought, ‘Well, on the days that I’m not working, I’m going to be a fly on the wall. I’m just going to watch Meryl – but, she wasn’t even in the same location! I did all my work in New Mexico. When we wrapped there recently, they went to Georgia.” Hilary admitted that it was “nice to have a dress on after all that time out there” in New Mexico to shoot “The Homesman,” being directed by Tommy Lee Jones who, along with Wesley Oliver and Kieran Fitzgerald, wrote the screenplay adaptation of Glendon Swarthout’s western novel of the same title, set around 1855.

“I was on the prairie for the last 60 days,” Hilary reported. “My character (Mary Bee Cuddy) is a farmer—I plow the fields and pump for water. My hands are all beat up.” The actress plays the title role, a “homesman” who must escort several women who lost their minds back to civilization. She teams up with an unlikely partner, George Briggs (Tommy Lee), a claim jumper. According to Hilary, Meryl plays Altha Carter, who collects the insane women to help bring them home. Also in the cast are Fil-Am actress Hailee Steinfeld, James Spader, John Lithgow, Tim Blake Nelson, Miranda Otto, William Fichtner and Grace Gummer (Meryl’s daughter). “It was an absolutely wonderful experience,” said Hilary of filming “The Homesman.” “It was right up there with my ‘Million Dollar Baby’ experience. I’m sad that it’s all over. It’s nice when you get your butt kicked to step up to the plate, and challenge yourself every day and in a new way with artists all across the board. The complete article can be read here.

Many thanks to Simona for contributing scans from Ciak (Italy, June 1989), covering Meryl’s appearance at the Cannes Film Festival and the release of “A Cry in the Dark”, as well as two additional pictures of from festival earlier in 1989, where Meryl won Best Actress. Enjoy.

The Public Theater announced today that Public Theater alumna and Academy Award winner Meryl Streep and Sir Howard Stringer will honor their friend and colleague, the late Nora Ephron, a long-time Public Theater board member, at The Public’s Gala on Monday, June 10 at the Delacorte Theater, where the benefit evening will culminate in a concert performance of “The Pirates of the Penzance”. In collaboration with The Central Park Conservancy and the New York City Department of Parks and Recreation, The Public Theater will plant a flowering cherry tree in Central Park across from the Delacorte Theater in honor of Ephron, who was a consummate lover of The Public’s free Shakespeare in the Park. A plaque will be mounted outside the Delacorte to memorialize the occasion and Ephron’s dedication to The Public. “Meryl Streep and Howard Stringer will share their history and bond with Nora Ephron,” said Artistic Director Oskar Eustis. “And the flowering cherry tree will be a beautiful reminder, for generations to come, of Nora’s generosity of spirit.” Meryl Streep and Nora Ephron have a long history of collaboration together, beginning in 1983 when Streep was featured in Nora Ephron’s Silkwood, directed by Mike Nichols, and most recently the 2009 feature film Julie & Julia, written and directed by Ephron.

Yesterday, Meryl took to the stage in New York to honour the careers of fellow actresses Lois Smith and Frances Sternhagen with the Obie’s Lifetime Achievement Award. A first batch of pictures have been added to the image library with more to come.

The Wrap has a nice article on the Weinstein Company’s recent presentation of upcoming films at Cannes: The Weinstein Company unveiled its slate for the year at the Cannes Film Festival on Friday, giving a glimpse of their game plan for Oscar season, which includes an intriguing documentary-style feature about the elusive writer J.D. Salinger, a biopic on Nelson Mandela and a southern vehicle for A-list Actresses, “August: Osage County.” The most obvious Oscar bait – at least in the acting category – was a first look at “August: Osage County,” based on the play, starring Meryl Streep, Julia Roberts, Chris Cooper, Ewan McGregor and Juliette Lewis. It also includes Abigail Breslin and my how Little Miss Sunshine has grown! The film delves into the lives of the strong-willed women of the Weston family, starting with Streep, in a frowsy black wig (Weinstein told TheWrap this week that Streep went wandering through Wal-Marts late at night to prepare for the role), Roberts as her daughter returning during a family crisis and Lewis as her sister. Looks like Streep gets in lots of zingers and embodies the tagline for the movie: “Misery loves family.” The complete article can be read here.

“Into the Woods” could become even more familiar territory for Meryl, as two previous co-stars have been recently announced to be possible additions. According to Variety, Emily Blunt is finalizing a deal to join the Disney’s musical playing the Baker’s wife, while The Wrap reports that Christine Baranski could be joining the cast as well. Baranski participated in a reading of the script back in October where she played Cinderella’s mean-spirited and demanding stepmother. As with Chris Pine and Jake Gyllenhaal, who are circling the princely roles of Cinderella and Rapunzel’s self-absorbed love interests, Baranski has not received an offer yet. However, an individual familiar with the project has told TheWrap she’s in talks to join the cast, though a scheduling conflict with “The Good Wife” is one obstacle that must be overcome. Thanks to Frank and Glenn for the heads-up!

Actor Benedict Cumberbatch is currently making the rounds to talk about “Star Trek Into Darkness,” and has mentioned working with Meryl Streep on the upcoming “August: Osage County” in an interview with New York Magazine. The complete interview can be read here with his quote being snipped out below.

Cumberbatch prefers the hows to the whys of acting, and he found a kindred spirit in Meryl Streep, his co-star in this fall’s August: Osage County. “I asked her how she approached the multiple layers of her part,” says Cumberbatch. “And she said, ‘I don’t know. I don’t have a process. It changes with every job, doesn’t it?’ And I thought, Oh, thank God, to hear her say it. This whole thing about technique or method? It’s bullshit. People say, ‘Oh, you’re so precise.’ But within that I work very hard to give every part a heartbeat. I learned a lot from just watching Meryl in repose. It was a bit like a Sherlock deduction actually.”

Since the announcement of Meryl Streep and Johnny Depp leading Stephen Sondheim’s “Into the Woods”, more famous names have surfaced for parts in the film. According to the Hollywood Reporter, Jake Gyllenhaal and Chris Pine are in talks to join the Disney musical. Deal-making hasn’t quite begun but the two actors met and even sang for director Rob Marshall for their respective parts and are expected to receive offers to join the star-studded cast. If deals close, Gyllenhaal and Pine would play their first on-screen singing roles. And according to BroadwayWorld, singer Jewel is about to audition as well. She has taken to Twitter to muse on a particularly intriguing topic – singing the music of Stephen Sondheim, specifically the tricky “On The Steps Of The Palace” and followed with “Been working hard all weekend on an audition for a movie. Fingers crossed.” Why exactly is Jewel singing Sondheim’s “On The Steps Of The Palace”? What movie could she be auditioning for soon? She is not necessarily known for her musical theatre covers done in concert, after all. Indeed, the singer and sometimes actress has not been announced to be taking part in any upcoming production of “Into the Woods”, nor even scheduled to be a guest at a concert of Sondheim’s material as of this writing, so could she possibly be participating in the forthcoming feature film adaptation? Thanks to Glenn for the heads-up.