The 1990s are often completely forgotten in articles and highlight reels of Meryl Streep’s career. Critics often take a leap between 1985’s “Out of Africa” and 2006’s “The Devil Wears Prada” when reviewing her craft. What is left out is a decade that can be best described as the self-finding trip of an actress in the worst period of her life – her 40s. By the late 1980s, Streep was “America’s greatest living actress” by far. In 10 years of screen work, she had received 8 Academy Award nominations with two wins for some of the greatest female characters of that decade, including Joanna Kramer, Sohpie, Karen Silkwood and Karen Blixen. Her star power took a slight turn after “Out of Africa” when leading roles in “Heartburn”, “Ironweed” and “A Cry in the Dark” failed to attract an audience. By the time she turned 40, as Streep has recounted in interviews, she told her husband that “it’s over,” because all roles offered to her were witches.

In this new weekly series, Simply Streep will dive into the projects that Meryl Streep did during the 1990s, how Hollywood and the perception of character actresses changed during that time, and how films with Robert De Niro and Jack Nicholson continued to be box office events while actresses took a backseat. The 1990s started with “Postcards from the Edge”, a sarchastic meme of a film before the term even existed.

Upon reviewing Meryl Streep’s work this decade, let’s remind ourselves where we’re coming from. The 2000s were probably her career’s most exciting period since the 1980s. As many actresses in their 40s, Streep took a backseat in the 1990s – the only profitable or relevant film she did back then was “The Bridges of Madison County”. Films like “One True Thing” and “Music of the Heart” were appreciated and Oscar-nominated, but stood little comparison to the big classics Streep did in the 1980s. So in the 2000s, after a screen absence of three years, Streep returned big time with “Adaptation” and “The Hours”, then with the miniseries “Angels in America” on television. Two years later, she played one of her most iconic roles in “The Devil Wears Prada”, topped it off with a big box office success with “Mamma Mia” and closed the decade with two Oscar-nominated performances in “Doubt” and “Julie & Julia”. In short, the 2000s not only validated her star status, but something new Meryl Streep has rarely been in her career before – a bankable star. The 2000s were something of a Streep renaissance.

Hundreds of new production stills, on-set pictures and theatre programmes have been added to the photo gallery, covering 40 years of Meryl Streep’s extraordinary career. The earliest find is the theatre programm for “Miss Julie”, Meryl’s first starring role with the Vassar Drama Department in 1969. More programmes have been added from her years at the Public Theater, including “27 Wagons Full Of Cotton”, “Measure for Measure” and “Secret Service”. New production stills have been added for most of Meryl’s feature films, including some wonderful on-set pictures from “The Deer Hunter” and great additions from “Plenty”. The latest updates wrap with some unseen pictures from 2009’s “Julie & Julia”. Since almost all career pages have been updated, you can browse the gallery pages by the last updated albums. Enjoy the new additions!

Here we are, celebrating 20 years of Simply Streep online! I honestly can’t believe I would type this one day, but it has been in fact two decades since Simply Streep opened its doors in 1999. I couldn’t have done it without all the generous contributions, notes and well wishers. To all of you, a big thank you! You can read more about the site’s history here if you’re interested. For the new launch I have worked extensively on the re-building the press archive, with the creation, help and support of the wonderful Maria. Thank you very much. All other pages have been updated, including the career pages. Some minor changes have been made. The specials section has been merged with the information section, and some of the previous specials will be soon featured on Simply Streep’s brand new Instagram account. To celebrate 20 years online, I have kept back some amazing pictures and new information that you will see over the coming updates. Lastly, I’m currently having trouble with my email address, so if you feel your email didn’t get through, you can reach out to me using this new email address. Enjoy! Frederik

Our annual year in review comes a few days early, because Simply Streep is taking a Holidays break. With this last post, I’d like to thank all visitors, and those who have helped me with the site throughout the year, most notably Alvaro, Claudia, Frank, Glenn, Maria, Mouza, Lindsey and anyone I might have forgotten. It has been a great year, but it has been a weird, shameful and scandalous year as well. Meryl has filmed three movies – “The Post” and the upcoming “Mary Poppins Returns” and “Mamma Mia! Here We Go Again” and has won a Golden Globe and Emmy – but what stays in mind is a relentless 12 months of online shaming and accusations, not only by those usual suspects who love to tear down women, but also by those who should know better. So, sit back, let the year pass by and prepare to shake your head, more than once. To all the visitors, I wish you a Merry Christmas, a good time with your family and beloved ones and peaceful Holidays. See you all in 2018.

I’m very happy to introduce a new feature to Simply Streep. My favorite part of the site has always been the career section. After all, it’s Meryl’s body of work we’re all celebrating and striving to learn more about. So ever since I was thinking about how to supply all essential information about a project and its making. A lot of effort is put not only into the film, but also into its promotion. So I’ve decided to give each project a press section, showcasing all related public appearances, talkshow visits, articles and award show appearances that came with the respective production. On each film page, you will find a link to the press section in the sub-menu. Let’s take Mamma Mia! as an example: The new sub-site gives you a great overlook on the international press tours for the film, starting in Greece and concluding in Tokyo. There are radio interviews to listen to, talkshow appearances to watch and articles from all countries in the world. The wealth of material depends on how a film was promoted around the world – not every press tour was as extensive as The Iron Lady for example, but there will be great discoveries, especially on her work in the 1980s and 1990s. So, head over to the career page, select a film and then simply click the press coverage to launch the new sites. I hope you enjoy browsing them as much as I do.

Besides her film work, a big part of Meryl’s career consists of narrations for television programs, documentaries and feature films. It’s a wide range of interests, from human rights and nature to art and music. And probably even something for her children to watch (The Simpsons and King of the Hill). Especially in her feature voice work, it’s amazing how even animated characters come to life through her voice, just have a look at the amazing “Fantastic Mr. Fox” and the equally odd but entertaining “Higglety Pigglety Pop” from 2010. Three new categories have been added to the video archive, Narration: Film & Television, Narration: Documentaries and Miscellaneous Productions with over 50 additions of excerpts, behind-the-scenes recordings and trailers. Also, make sure to visit the career page to learn more about these projects. Enjoy.

Video Archive – Career – Narration: Film & Television
Video Archive – Career – Narration: Documentaries
Video Archive – Career – Miscellaneous Productions

Since yesterday’s update on the video archive (and lamenting on how long it may take to have it completed), I’ve been on a good roll, thanks in particular to the bad weather, and have finished all remaining categories. The news segments are now done with all clips from 2010 to 2017, including lots of entertainment shows interviews and red carpets bits. The public appearances feature all kind of press conferences, conversation panels and premieres and the miscellaneous section boasts a great collection of vintage and recent public service announcements, and basically everything that doesn’t fit into the other categories. I’m sure there are still some clips missing, and some waiting to be discovered. But for now, that big part of Simply Streep is back and ready to be discovered. Enjoy!

The video archive takes longer to be completed than I have expected, simply because there are so many videos left to be added. But at least I’m making progress. Today, clips from news segments, ranging from 2006 to 2010 have been added. Within these 5 short years, Meryl’s career blossomed from “the star of the old days” to a global superstar, thanks to the successes of “The Devil Wears Prada” and “Mamma Mia”, not to mention the releases of “Doubt”, “Julie & Julia” and “Its Complicated” within a year. It has been great to revive all these clips from international promotion tours and red carpets, and to be reminded that HD isn’t that old fashioned – most of these clips are in a rather bad quality – but Simply Streep wouldn’t be a proper archive without this “old stuff”. I’ll do my best to finish the news segments and also the other remaining categories to have the video archive finished in time. Until then, enjoy the new old additions.

While almost all sources cite “Julia” as Meryl’s film debut and “The Deadliest Season” as her first television, the first time that Meryl has ever been seen on a television screen was in “Secret Service“. Originally performed with the Phoenix Theatre Company in April 1976, the William Gillette play was picked by PBS to air for their Great Performances series of theatre adaptations. On January 12, 1977 – 40 years ago on this exact day – American audiences were able to catch a first glimpse of Meryl Streep – surrounded by John Lithgow, Marybeth Hurt, Joe Grifasi and Jeffrey Jones – singing in the chorus of “God Save the South” for the production’s first scene. To celebrate her television debut and the 40th anniversary of her career, I’ve recently launched streeponfilm.com, which will serve as a supplement to Simply Streep – posting background information, rare pictures and articles from back in the day. Imagine it like a 1977 fansite on Meryl Streep, with all the material already waiting to be posted :-) You’re welcome to join Streep on Film, maybe there’s even some old material to contribute. Below you will find one of the rare instances in which Meryl Streep was interviewed on “Secret Service”. She has fond memories of the theatre group, although not so much on Gillette’s “awful” play.