The promotion for “The Prom” is slowly starting – and while we’re still waiting for a full trailer, posters etc., Variety makes the start with an interview with director Ryan Murphy, who talks about shooting during the pandemic and discovering Jo Ellen Pellman and Ariana DeBose. Murphy saw a January 2019 Broadway production of “The Prom” at the Longacre Theatre, and he knew right away that he wanted to make a film adaptation under his production deal at Netflix. Very quickly, it received the green light. By early February he had all the actors, producers and a plan to begin filming in December. By shooting time, the Broadway production had already closed, not recouping its investment of $13.5 million, but still, Murphy wanted to bring its positive message to the Netflix global community. In an interview with Variety, Murphy spoke about the journey of getting the musical adaptation to the screen. In his third directorial feature, Murphy, a six-time Emmy winner, has found the perfect vehicle that marries all his creative expressions with this musically moving material. After he saw the Broadway show, Murphy reached out to his first choices, which included James Corden, Nicole Kidman, Meryl Streep and Kerry Washington, and pitched the idea to them. Within one week, the four actors were on board. The full article can be read Variety – don’t miss Murphy’s quote on a new song written especially for Meryl Streep.

We wrote a song that was a sad song, but it didn’t fit with the tone of the movie. And then we got to the end of the movie, with the end-credit design sequence. When I saw that, I think we needed an end-credit song that’s about the women. It’s about the female power in the film. I told the songwriting team and the composer, “Let’s do something upbeat, that we can send people out in a celebratory fashion, and let’s have all the women do the vocal tracks. Furthermore, let’s have Meryl Streep rap.” They were like “What?” I said, “I want her to rap. I need her to rap.” They laughed, and they went off and wrote the song “Wear Your Crown,” and it’s optimistic and makes you feel good. It has a message of fighting intolerance and being proud of who you are. We wanted to leave young people with that feeling. I think Meryl fans are going to go crazy for it. I have a video of Meryl rapping. She was so good that we used her first take, which just goes to show you there’s nothing that Meryl Streep cannot do. (Ryan Murphy, Variety, November 16, 2020)

Early December will be early Christmas for all Streep fans – not that we don’t deserve an extra dose of blessings this year. HBO Max has finally released the trailer for “Let Them All Talk”, which will premiere, wait for it, on December 10, a day before Netflix releases “The Prom”. Steven Soderbergh’s film stars Meryl Streep as Alice, an award-winning author whose two oldest friends (Candice Bergen and Dianne Wiest) join her on a voyage across the Atlantic. As the three actresses revealed to EW earlier this year, the film was shot in just two weeks aboard the Queen Mary 2 in 2019, with the actors improvising almost all of their dialogue. “They would give us the outlines of a situation, and then we knew where we had to end up,” Streep explained. “But they didn’t tell us how to get there.” “When it was over, I thought for a while that I had dreamt doing the movie,” Bergen added. “It was over so quickly.” “Let Them All Talk” also stars Lucas Hedges as Alice’s nephew and Gemma Chan as her agent. The gabfest is the first in a series of projects for HBO Max and HBO from the prolific Soderbergh, who has already begun shooting his next movie for the streaming service, a crime film titled No Sudden Move. You can watch the trailer above and in the video archive. Screencaptures, along with the film’s poster, have been added to the photo gallery.

The New York Times has an in-depth article on Hollywood’s recent revival of musicals, with a focus on the upcoming “The Prom”. The complete artcile can be read over at their website: On a sun-nuzzled February morning earlier this year, “The Prom,” Ryan Murphy’s film adaptation of the Tony-nominated musical, prepared for a location shoot in a high school gym on the eastern edge of Hollywood. Basketball hoops kissed the ceiling. Rubber matting and webs of cables carpeted the floor. Beside the snack tables, James Corden, Kerry Washington and Meryl Streep, in a wig the red of a cocktail cherry, practiced a dance number, sashaying through the same steps at not quite the same time. The filmmaking, Corden said, once he had spun his final spin, had been amazing, joyous, nearly as much fun as “Cats,” particularly these song and dance rehearsals. “You feel like you might be in the greatest touring production of all time,” he said. The stage version of “The Prom,” a story of a young woman who wants to take her girlfriend to a school dance and the Broadway stars who debatably come to her aid, has scheduled an actual tour for January, Covid-19 permitting. That’s a little more than a month after Netflix releases Murphy’s film, which tells the same tale with a starrier cast, fancier sets, delirious wigs and an orchestra that includes four French horns, four more than the Broadway pit could afford.

The first trailer for Ryan Murphy’s “The Prom,” the star-stuffed movie musical adaptation of the beloved Broadway musical, has landed from Netflix. Meryl Streep, Nicole Kidman, Kerry Washington, James Corden, Andrew Rannells, Keegan-Michael Key, and many more headline this flashy song-and-dance movie, which arrives on the streaming platform December 11. Watch the new look at the film below. The Broadway musical comedy follows a group of washed up Broadway actors who help a lesbian go to prom as part of a PR stunt. Dee Dee Allen (Meryl Streep), a two-time Tony Award winner, pairs up with Barry Glickman (James Corden) in a musical about First Lady Eleanor Roosevelt that’s a total flop. They each receive career-killing reviews, and decide to revive their reputations by throwing their weight behind a charity cause. They’re joined by veteran Broadway chorus girl Angie Dickinson (Nicole Kidman), along with out-of-luck actor Trent Oliver (Andrew Rannells), in boosting Emma Nolan (Jo Ellen Pellman), a high-school senior barred from bringing her girlfriend to the prom. Production was halted on the film on March 12, but resumed on July 23. The Broadway edition, with music by Matthew Sklar, lyrics by Chad Beguelin, and a book by Bob Martin and Beguelin, bowed in New York on October 2018 after launching in Atlanta in 2016. The musical was nominated for six Tony Awards in 2019, including Best Musical, though it didn’t win any of them. “The Prom” premieres on Netflix December 11. Screencaptures from the teaser trailer have been added as well.

Entertainment Tonight has a fantastic interview with Meryl Streep, Candice Bergen and Dianne Wiest for Steven Soderbergh’s December-confirmed HBO Max film “Let Them All Talk”: Dianne Wiest sits demurely, a bookshelf behind her, broadcasting from her computer. Meryl Streep leans against a white brick wall, her iPhone at arm’s length. Candice Bergen reclines on her couch, holding her iPad over her head. For his latest film Let Them All Talk, director Steven Soderbergh put the three acting legends on a ship and, well, let them all talk. So it only made sense for EW to do the same — albeit over Zoom, rather than at sea. The ensuing conversation will mark their first extended discussion of the mysterious movie, which arrives on HBO Max in December. Scripted (sort of; more on that in a minute) by beloved short-story writer Deborah Eisenberg, Let Them All Talk stars Streep as an acclaimed novelist who’s summoned to the U.K. to receive an award. She invites two of her oldest friends (Bergen and Wiest) and her nephew (Lucas Hedges) to join her on a voyage aboard the Queen Mary 2 ocean liner, setting up a gabfest filled with reminiscence, regret, and repartee. As it happens, that also describes EW’s roundtable with the actresses. But at first, they’re just giddy to see each other again, discussing vacation spots and the California wildfires before Bergen gets things back on track. “You’re trying to get things started here,” she says with a chuckle. And so we do.

Meryl, how does playing, for lack of a better word, a regular person like this character differ from some of your more transformative roles?
I didn’t think she was so regular. I mean, to me, she was a rara avis. She’s a really weird bird. A real intellectual, which I am not. People like that sort of intimidate me, and so it’s great fun to imagine what it’d be like to have those standards of thought, and those aspirations, and to have a poetic soul, which I think she did, and the selfishness of real, true artists. People that don’t have kids and concerns that pull them into the real world. People that have been able to just live in the sort of miasma of their own imagination and anxieties and terrors. That’s her, and at this particular moment of her life, especially so. Her regrets and her desires to figure things out — it’s stuff you can relate to after 70, certainly, if you’re lucky enough to get there.

The complete interview can be read over at Entertainment Weekly and in our press archive.

According to Variety, Leonardo DiCaprio, Meryl Streep and Timothee Chalamet will join Jennifer Lawrence in the star-studded cast of “Don’t Look Up,” a new Netflix comedy from Adam McKay. Jonah Hill and Himesh Patel will also star, along with Ariana Grande, Kid Cudi and Matthew Perry. As previously announced, Cate Blanchett and Rob Morgan are part of the cast. McKay, the filmmaker behind “Step Brothers,” “Anchorman,” “Talladega Nights” and “The Big Short,” wrote and directed “Don’t Look Up,” which follows two low-level astronomers who embark on a media tour to warn mankind of an impending asteroid that could destroy the planet. Lawrence and DiCaprio are expected to play the two astronomers, but Netflix would not confirm. The movie is scheduled to start filming before the end of the year. McKay is also producing the film with Kevin Messick under McKay’s Hyperobject Industries banner. Many thanks to Glenn for the heads-up.

Ernest Hemingway, the iconic literary figure considered one of the greatest American writers and among the first to live and work at the treacherous nexus of art and celebrity, is the subject of an upcoming three-part, six-hour documentary series directed by award-winning filmmakers Ken Burns and Lynn Novick coming to PBS April 5-7, 2021 at 8:00 – 10:00 p.m. ET (check local listings). The documentary paints an intimate picture of Hemingway the writer – who captured on paper the complexities of the human condition in spare and profound prose, and whose work remains deeply influential around the world – while also penetrating the myth of Hemingway the man’s man to reveal a deeply troubled and ultimately tragic figure. The film also explores Hemingway’s limitations and biases as an artist and a man of his time. “Hemingway is both an intimate, turbulent family saga and an examination of some of the greatest works of American literature in the 20th century,” said director Ken Burns. “The documentary attempts to show how flawed our assumptions about Ernest Hemingway and his writing have been. At the same time, we are unsparing in our inquiry into less well-known aspects of his character and writing. Our intent is to offer viewers an honest portrayal of a complex and conflicted writer who left an indelible mark on literature.” Narrated by long-time collaborator Peter Coyote, the series features an all-star cast of actors bringing Hemingway (voiced by Jeff Daniels), his friends and family vividly to life. Through letters to and from his four wives – voiced by Meryl Streep, Keri Russell, Mary Louise Parker and Patricia Clarkson – the film reveals Hemingway at his most romantic and his most vulnerable, grappling at times with insecurity, anxiety and existential loneliness. In three two-hour episodes, “Hemingway” tracks the meteoric rise and tragic fall of the author who, in his final years, suffered from chronic alcoholism, serious mental illness, traumatic brain injuries and depression. In 1961, at the age of 61, Hemingway died by suicide, leaving behind an unparalleled body of artistic work and a complicated emotional legacy for those closest to him.

Netflix has released a first batch of production stills for the upcoming “The Prom”, and Entertainment Weekly has the accompanying story: The streaming service unveiled Wednesday several stills from Murphy’s adaptation of the popular stage production The Prom, starring Meryl Streep, Nicole Kidman, Kerry Washington, and more in a tale of a queer teenager, Emma (Jo Ellen Pellman), whose struggle with homophobia captures the attention of a fading Broadway quartet seeking a charity case to boost their careers back into the mainstream spotlight. Streep leads the film as Dee Dee, a Tony Award-winning actress who, along with her partner (James Corden) stars in a musical about Eleanor Roosevelt, endures a professional setback after their latest project flops. Teaming with veteran showgirl Angie (Kidman) and another actor, Trent (Andrew Rannells), the group travels to small-town Indiana to help Emma and her girlfriend (Ariana DeBose) push back against their high school’s controversial decision to bar them from attending their senior prom as a couple. Washington plays DeBose’s mother in the film, with Keegan-Michael Key, Mary Kay Place, and Tracey Ullman playing other supporting parts. The Prom — written by Chad Beguelin and Bob Martin, who devised the original 2016 stage production — dances to Netflix on Dec. 11. See the first-look photos above and below.

The Hollywood Reporter has put “The Prom” stars Meryl Streep, Kerry Washington, James Corden, Jo Ellen Pellman, Keegan-Michael Key and Nicole Kidman on their cover with a lenghty interview inside their October 07 issue: “Should I just drop Meryl?” Keegan-Michael Key is cradling Meryl Streep in a dip as the 21-time Oscar nominee, wearing a pink-sequin pantsuit and heels, gazes admiringly up at him. The two are dancing underneath the basketball hoops in the Helen Bernstein High School gym in Los Angeles, which is decorated with beaded curtains, white balloons, twinkly lights and vases of flowers. It’s March 6, 2020, and the let’s-put-on-a-show! energy is palpable on the set of the Ryan Murphy movie The Prom, where Murphy is shooting his dance number finale, an anthem of acceptance featuring some 300 young LGBTQ extras in formal wear. The real high school is still in session around the production, and occasionally the school PA crackles with an announcement, briefly puncturing the glamour of the moment. Inside the gym, Streep, Key, Nicole Kidman, James Corden, Kerry Washington, Andrew Rannells, Tracey Ullman and newcomers Jo Ellen Pellman and Ariana DeBose are dressed in coordinated shades of turquoise, pink and purple and gathered under bright lights to dance and lip-sync to the track they have already recorded of the film’s capper, “It’s Time to Dance.” The complete article can be read over at The Hollywood Reporter.

The TV industry’s shiniest night of the year, a.k.a. the Primetime Emmy Awards, looked much different this year, given the never-ending pandemic. The ceremony’s host, Jimmy Kimmel, was literally fired up to emcee the festivities again, this time from the mostly vacant Staples Center in L.A., with winners accepting awards remotely, virtually, and digitally. If you tuned in just for Meryl, there wasn’t much to see. She was nominated as Outstanding Supporting Actress in a Drama Series for “Big Little Lies” along her co-star Laura Dern as well as Fiona Shaw (Killing Eve), Sarah Snook (Succession), Helena Bonham Carter (The Crown), Samira Wiley (The Handmaid’s Tale) and Thandie Newton (Westworld), but “lost” to Ozark’s Julia Garner, and wasn’t featured by camera during the nominations. Garner took to Instagram after winning the Emmy to praise her fellow nomninees, including Meryl: “Also I want to give a special thanks to Meryl Streep, who wasn’t on the zoom call tonight. When I was 15 I watched Sophie’s Choice and it made me want to be an actress. I wouldn’t be doing this if it weren’t for you. And thank god because I don’t really know how to do anything else!! So thank you. Love to you all!!” The category segment can be watched below and in the video archive.