The New York Times has an in-depth article on Hollywood’s recent revival of musicals, with a focus on the upcoming “The Prom”. The complete artcile can be read over at their website: On a sun-nuzzled February morning earlier this year, “The Prom,” Ryan Murphy’s film adaptation of the Tony-nominated musical, prepared for a location shoot in a high school gym on the eastern edge of Hollywood. Basketball hoops kissed the ceiling. Rubber matting and webs of cables carpeted the floor. Beside the snack tables, James Corden, Kerry Washington and Meryl Streep, in a wig the red of a cocktail cherry, practiced a dance number, sashaying through the same steps at not quite the same time. The filmmaking, Corden said, once he had spun his final spin, had been amazing, joyous, nearly as much fun as “Cats,” particularly these song and dance rehearsals. “You feel like you might be in the greatest touring production of all time,” he said. The stage version of “The Prom,” a story of a young woman who wants to take her girlfriend to a school dance and the Broadway stars who debatably come to her aid, has scheduled an actual tour for January, Covid-19 permitting. That’s a little more than a month after Netflix releases Murphy’s film, which tells the same tale with a starrier cast, fancier sets, delirious wigs and an orchestra that includes four French horns, four more than the Broadway pit could afford.
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