August 17 marks the 30th anniversary of Azaria Chamberlain’s disappearance, a case that has taken Australia – its people and its media – by storm and was eventually made into one of Meryl’s 1988’s drama “A Cry in the Dark” – a performance I personally consider her best. In its latest issue, Lindy Chamberlain talks to Woman’s Day, an excerpt can be found online, the whole interview has hit Australian newsstands yesterday.
The red blanket of parched earth is endless, each kilometre stretching out the same as the last. Yet to Lindy Chamberlain, a certain patch stands out like a beacon, even 30 years on. “Stop here,” Lindy says suddenly, causing a convoy of four-wheel-drives to come to an abrupt halt. “It’s over there,” she says without hesitation. All heads turn in the direction of her pointing finger. All that’s visible is yet another dry, dusty patch of desert. But not to Lindy. For her, this is a sacred place, a site redolent with memories both terrifying and touching. This place, she says, is where her baby Azaria’s clothes were found. It’s hard to believe it’s 30 years since a distraught Lindy clambered desperately from a dishevelled tent, screaming into the night, “The dingo’s got my baby”. For Lindy, 62, the horror of that evening and the nightmare that followed burns more intensely than ever. “You can’t turn it off,” says a pensive Lindy, who is returning to The Rock with Woman’s Day to mark the anniversary of the disappearance of her baby daughter. More at Woman’s Day and the Daily Mail.
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